![]() simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics. * World's largest series of music folios * Full-size books - large 9" x 12" format features easy-to-read, easy-to-play music * Accurate arrangements. Now there are more than 300 reasons why you should play E-Z Play Today. E-Z Play Today is the shortest distance between beginning music and playing fun. Titles include: Champagne Rag * Dill Pickles * Dimples * The Entertainer * Felicity Rag * Maple Leaf Rag * Peaches and Cream * Something Doing * Tiger Rag * Twelfth Street Rag * Weeping Willow * and more.įor organs, pianos, and electronic keyboards. 9.0x12.0x0.187 inches.Ī fun collection of 15 ragtime favorites arranged in our easy to read and play E-Z Play Today notation. He not only illuminates the music of the title’s time period but also puts jazz scholarship on a different footing.Electronic Keyboard Organ Piano/Keyboard E-Z Play Today #33. ![]() Cockrell draws on sources we didn’t know existed to draw conclusions we couldn’t have foreseen. Daniel Goldmark, director of the Center for Popular Music StudiesĪnother scintillating gem from one of the rock stars of American musicology. I devoured this book and had to keep reminding myself that Dale Cockrell couldn’t have actually been there in person! His keen archivist’s gaze has once again opened a new world for readers, showing us how much has changed and how much has stayed the same, from the backroom saloons of the 1870s to Studio 54 in the 1970s. Susan McClary, author of Feminine Endings: Music, Gender, and Sexuality You’ll never listen to ragtime the same way again! In this brilliant and important study, Dale Cockrell reveals the conditions within which black and white artists forged the idioms of American popular music. William Lhamon, author of Raising Cain: Blackface Performance from Jim Crow to Hip Hop Racy scholarship does the Grizzly Bear here with theoretical rigor. Cockrell reads this neglected evidence with exuberant skepticism. Alice Sparberg Alexiou, author of Devil’s Mile: The Rich, Gritty History of the Boweryĭale Cockrell tells the stories of cellar clubs and what he calls the ‘discord of the dives.’ He scrapes the bottom of the archives to scour reports by police, tabloids, and moral reformers. His book is one hell of a ride into the past, and a complicated one: he reminds us of the tragic fact that prostitution, ubiquitous at the time-after all, what options did women then have to survive?-was an integral part of New York’s rollicking music scene. Gilfoyle, author of City of Eros: New York City, Prostitution, and the Commercialization of Sex, 1790–1920ĭale Cockrell takes us on a bawdy trip back to the dives and concert saloons of old New York. Dale Cockrell takes us into the sensual confines of the nineteenth-century concert saloons, cabarets, dives, and dance halls propagating a new cultural genre: American popular music. Everybody’s Doin’ It illuminates the how, why, and where of America’s popular music and its buoyant journey from the dangerous Five Points of downtown to the interracial black and tans of Harlem.Ĭockrell’s fascinating story and soundtrack of disorderly old Gotham will delight New York City historians and music buffs alike.Įverybody’s Doin’ It exposes the interracial and underworld origins of popular song and dance in the United States. Musicologist Dale Cockrell recreates this ephemeral underground world by mining tabloids, newspapers, court records of police busts, lurid exposés, journals, and the reports of undercover detectives working for social-reform organizations, who were sent in to gather evidence against such low-life places. The Virginia Minstrels, Juba, Stephen Foster, Irving Berlin and his hit “Alexander’s Ragtime Band,” and the Original Dixieland Jass Band all played a part in popularizing startling new sounds. This rollicking demimonde drove the development of an energetic dance music that would soon span the world. Whether coming from a single piano player or a small band, live music was a nightly feature in New York’s spirited dives, where men and women, often black and white, mingled freely-to the horror of the elite. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. "Racy scholarship does the Grizzly Bear here with theoretical rigor." -William Lhamon, author of Raising CainĮverybody’s Doin’ It is the eye-opening story of popular music’s seventy-year rise in the brothels, dance halls, and dives of New York City.
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